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Films of the year 2018: Sarah Ward
Author : SARAH WARD
Authorship : Screendaily
Date : 2018-12-24

Films of the year 2018: Sarah Ward

Australia-based critic Ward joined Screen in 2015. She also writes for ArtsHubConcrete PlaygroundSBS, Flicks.com.au, the Goethe-Institut and others, and is heard on ABC radio.

cold war c film4 3

SOURCE: FILM4

‘COLD WAR’

Read more: Screen’s critics pick best films of 2018

Top five:

1. Cold War

Dir. Pawel Pawlikowski
As an aching romance about star-crossed lovers (Tomasz Kot and Joanna Kulig), Cold Wardevastates. As a portrait of resigned acceptance — of a broken world, lives and hearts — it cuts as starkly as its luminous black-and-white imagery. Set in post-war Poland, Pawel Pawlikowski’s film is intimate, passionate and piercing, and swells as entrancingly as its soundtrack.
Contact: Protagonist Pictures, mk2 Films
Read Screen’s review here.

2. Burning

Dir. Lee Chang-dong
Proving much more than a twisty love triangle, Lee Chang-dong’s latest masterwork is a keenly observed character study and a labyrinthine mystery — and, like life, refuses to be pinned down.
Contact: Finecut
Read Screen’s review here.

3. ROMA

Dir. Alfonso Cuarón
Empathy and affection course through Alfonso Cuarón’s ROMA, his deeply personal and gorgeously shot ode to women, to those raising others’ children, and to life’s chaotic ebbs and flows.
Contact: Netflix
Read Screen’s review here.

4. The Nightingale

Dir. Jennifer Kent
Jennifer Kent’s riveting revenge tale conjures a different monster to that found in her debut The Babadook — but, as an Irish convict and Aboriginal tracker chase a British soldier across Tasmania, it’s even more brutal.
Contact: FilmNation Entertainment
Read Screen’s review here.

5. Madeline’s Madeline

Dir. Josephine Decker
Star Helena Howard’s big-screen debut is just the first astonishing aspect of Josephine Decker’s mind-bending experimental drama, a dream-like coming-of-age film that’s also an unflinching rumination on reality, perception and performance.
Contact: Visit Films
Read Screen’s review here.

Best documentary

Dead Souls

Dir. Wang Bing
The survivors of China’s anti-rightist campaign could never forget its horrors, and Wang Bing ensures Dead Souls’ viewers won’t either. A punishing but absolutely crucial documentary, it spends most of its weighty 496 minutes cataloguing traumatic testimonies that haven’t faded with time.
Contact: Doc & Film International
Read Screen’s review here.

Overlooked gem

Acute Misfortune

Dir. Thomas M Wright
The life, work and personality of provocative painter Adam Cullen were never going to inspire a standard biopic, but Acute Misfortune is a bold, uncompromising effort even by the standards of the controversial late Australian artist. Based on journalist Erik Jensen’s chronicle of their working relationship, it interrogates the contradictions of its two central figures. Snowtown’s Daniel Henshall is in blistering form as Cullen.
Contact: Maze Film Sales
Read Screen’s review here.

Films of the year 2018: Fionnuala Halligan